LittleMissMuffet
Well-known member
...If Shakespeare's right and:-
"All the world's a stage, and the men and women merely players"
...how would you describe your acting style?
Do you follow the Stanislavski Method Acting style, like Marlon Brando and James Dean?
Or do you prefer Stellar Adler's and Sanford Meisner's alternative form of Method Acting?
.....
Seriously now! -What the hell am I talking about? ....well, the Stanislavski style of Method Acting involved the actor analysing (the emotions and motives of) their character and the actor would rely on past memories to bring life to their character. IN other words, a substantial degree of PREPARATION went into their performance.
The Adler and Meisner styles involved actors 'freeing themselves up' so that they could spontaneously respond to the moment and an actor's past memories are not to be used. In other words, this style is less focussed on prepartion and more about responding to the moment.
...ok, I don't know that much about acting.
The point is to ask yourself what kind of performer you are? Because, if we go by Shakespeare's description, and we are all players, actors -do we go about rehearsing our performance, and are we preoccupied with this? ...because if we are, perhaps our style of acting is wrong; and Meisner was correct to believe that a lot of perparation is 'unhealthy'.
And, if we are all players on the world's stage, perhaps we suffer from 'stage fright' because we over-prepare and likewise need to change our style of performing.
If you read the thread I started called 'Free advice from mindfulrecovery.com' ...Cesar Bujosa, of mindfulrecovery.com, wrote to me saying that Social Phobics suffer social anxiety because of what they do in private. They are preoccupied with images and fantasies about how they will 'perform' around others. That we daydream, imagining how we will act or what will happen. And being unconciously locked into such private mental practises, is what generates the apprehensive anxiety when we then 'go on stage to perform'.
Compare this style of 'acting' to the style that frees-up a person, that is all about responding to the moment. In other words, Mindfulness is like the method acting that replaces a preoccupation with what will happen or has happened , focusing only on being in and responding to the moment.
With, likewise, a corresponding lack of 'preparing' or 'mentally rehearsing' scenes in advance.
So, if responding to the moment is what will 'free-us up' from performance anxiety, then it follows that noticing when we are preoccupied with past memories or fantasies of the future is part of what will bring us back to the moment.
If we can notice when we are 'over-preparing' and not being spontaneous, then this means we actually are being spontaneous and returning to the moment. What I mean is that it is important to notice when we are lost in fantasy thinking, daydreaming or other preoccupations that involve acting or performing in a time or place other than the present one.
This way, we stop the habitual 'over prepartion' that leads to us freaking-out with stage fright when it is time to go on stage and say our lines.
( OK, I hope you get that I'm just using an analogy to try to explore this idea!!)
"All the world's a stage, and the men and women merely players"
...how would you describe your acting style?
Do you follow the Stanislavski Method Acting style, like Marlon Brando and James Dean?
Or do you prefer Stellar Adler's and Sanford Meisner's alternative form of Method Acting?
.....
Seriously now! -What the hell am I talking about? ....well, the Stanislavski style of Method Acting involved the actor analysing (the emotions and motives of) their character and the actor would rely on past memories to bring life to their character. IN other words, a substantial degree of PREPARATION went into their performance.
The Adler and Meisner styles involved actors 'freeing themselves up' so that they could spontaneously respond to the moment and an actor's past memories are not to be used. In other words, this style is less focussed on prepartion and more about responding to the moment.
...ok, I don't know that much about acting.
The point is to ask yourself what kind of performer you are? Because, if we go by Shakespeare's description, and we are all players, actors -do we go about rehearsing our performance, and are we preoccupied with this? ...because if we are, perhaps our style of acting is wrong; and Meisner was correct to believe that a lot of perparation is 'unhealthy'.
And, if we are all players on the world's stage, perhaps we suffer from 'stage fright' because we over-prepare and likewise need to change our style of performing.
If you read the thread I started called 'Free advice from mindfulrecovery.com' ...Cesar Bujosa, of mindfulrecovery.com, wrote to me saying that Social Phobics suffer social anxiety because of what they do in private. They are preoccupied with images and fantasies about how they will 'perform' around others. That we daydream, imagining how we will act or what will happen. And being unconciously locked into such private mental practises, is what generates the apprehensive anxiety when we then 'go on stage to perform'.
Compare this style of 'acting' to the style that frees-up a person, that is all about responding to the moment. In other words, Mindfulness is like the method acting that replaces a preoccupation with what will happen or has happened , focusing only on being in and responding to the moment.
With, likewise, a corresponding lack of 'preparing' or 'mentally rehearsing' scenes in advance.
So, if responding to the moment is what will 'free-us up' from performance anxiety, then it follows that noticing when we are preoccupied with past memories or fantasies of the future is part of what will bring us back to the moment.
If we can notice when we are 'over-preparing' and not being spontaneous, then this means we actually are being spontaneous and returning to the moment. What I mean is that it is important to notice when we are lost in fantasy thinking, daydreaming or other preoccupations that involve acting or performing in a time or place other than the present one.
This way, we stop the habitual 'over prepartion' that leads to us freaking-out with stage fright when it is time to go on stage and say our lines.
( OK, I hope you get that I'm just using an analogy to try to explore this idea!!)